If you promise to reply the next day, be sure to do so. This is why we exchange contact information with each other. Manage expectations: Prepare to die.Īgain, your expectations with people you network aren’t likely to involve violent Medieval revenge, but when we talk about networking expectations, these are usually along the lines of future follow-up commitments. Find common ground and utilize that to build connections with other people. Remember everyone is connected by six degrees of separation. But knowing how and why you are connected to people is often a good icebreaker and the beginning of a good conversation. Your personal connection to people at networking events is not because they killed your father. Relevant personal connection or link: You killed my father Take the time to offer a firm handshake while you are introducing yourself and give good eye contact. This may seem obvious, but many veterans, eager to ask questions, jump right into a conversation without first introducing themselves. But stick with the basics - it’s authentic and simple.
While this is something we do every day, it might seem a bit daunting to do in a more formal social networking environment, like a job fair, or an industry social mixer. Didier - Referred to as "Sainct" in the book The Princess Bride, Sainct Didier wrote the first French fencing treatise, Traite Contenant les Secrets du Premier Livre sur l'Espee Seule etc.Let’s break this down. (Marozzo, an earlier Italian master, used over 30 guards) The impact of his terminology and guards on subsequent masters cannot be overestimated.
In Trattato di Scienza d'Arme, he simplified the guards and hand positions to 4 each. Instead, he was an engineer who brought an engineer's precision and simplicity to the complex thicket of Italian fencing. This unusual position allows the fencer to strike the opponent at maximum range, which only exposing the arms and head to attack.Ĭamillo Agrippa - Agrippa was not a fencing master. The fencer bends forward at the waist until their torso is nearly parallel to the ground, and their arms are extended forward towards the opponent. Salvator Fabris - Author of Sienz e Practica d'Arme, Fabris's fencing style is one of the most distinct rapier techniques out there. His fencing style is characterized by careful positioning and a long, fast lunge. Ridolfo Capo Ferro - An Italian fencing master, Capo Ferro is best known for his famous work Gran Simulacro Dell'arte e Dell'uso Della Scherma (Great Representation of the art and of the use of fencing). He was reviled by the other Spanish masters, one of whom referred to him as "a bastard son of the Spanish school". Interestingly, his fighting style is the distinct Spanish style of swordplay, La Destreza.
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Girard Thibault - A French fencing master, Thibault is primarily known for producing the most massive, lavishly illustrated fencing manual of the time, Academie de l'Espee (The Academy of the Sword). This habit was immortalized by William Shakespeare in his description of Juliet's cousin Tybalt, "The very butcher of a silk button, a duelist, a duelist!" He was known for his precision in fighting, allowing his opponent to pick which of the buttons on their doublet that he would hit. Roberto Bonetti - An Italian fencing master teaching in London during the late 16th century.
Here's a quick guide to these fencing masters: They're not used properly or in keeping with their distinct fencing styles, but they're all historical figures. One of the particularly nice things about this scene is that almost all of the names dropped by the two combatants are real historical fencing masters. He knocks Inigo over the head with the back of his sword and runs off to participate in funny scenes elsewhere. But, since I can't have you following me either. Westley: I would sooner destroy a stained glass window than an artist like yourself. Inigo shrugs in acceptance, and continues.įinally, when Westley has disarmed his opponent and brought him to his knees, Inigo solemnly asks to be killed quickly. Westley: ( matter of factly) Get used to disappointment. Finally, after Westley's theatrical vine-flip is much more ridiculous and impressive than Inigo's move, he has to inquire, They exchange ridiculous banter about the techniques and defenses they are using (which probably don't exist, but again its not important.) Each trick Inigo has up his sleeve is one-upped by the mysterious man in black. I hate to die.ĭuring the fight, Inigo soon realizes that Westley, too, is a great and learned master of the sword. The scene is perfectly executed it doesn't matter that it's not realistic or that one can practically see the paint-strokes on the fake backgrounds.
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My favorite movie sword fight scene is between Westley ( Carey Elwes) and Inigo Montoya ( Mandy Patinkin) in the classic tale, The Princess Bride.
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